Monday, March 24, 2014

1966: Valley of the Dolls by Jacqueline Susann

The Author:




Jacqueline Susann (1918-1974) was born in Philadelphia to a painter and a schoolteacher.  After graduating high school, Susann left to New York City to pursue a career as an actor, landing a series of bit parts on film, television and the stage, eventually landing a steady gig on stage.  In New York, she met press agent Irving Mansfield, who she married in 1939.  Mansfield went on to manage her career and made sure that she appeared in the papers.  Susann got a recurring part on The Morey Amsterdam Show and landed bigger stage roles.

Susann's reputation, however, was tarnished with love affairs.  This included Joe Lewis, a comedian and singer.  When Mansfield was drafted to the US military in 1943, Susann filed for separation and planned to marry Lewis.  Lewis, however, signed up for a USO tour and ended the affair.  Susann and Mansfield reunited in 1944.  In 1946, they had a son they named Guy. Guy was autistic and was sent to an institution as young child.  The most recent article with any authority I could find was dated 1983, and at that time Guy was still institutionalized.

Susann continued to have a career in television, including hosting her own short-lived talk show.  In 1962, she was diagnosed with breast cancer and underwent a mastectomy.  In 1963, she published her first book, Every Night, Josephine! to commercial success.  In 1966 she published her most successful novel, Valley of the Dolls.  The book was critically panned.  Susann became a celebrity author and in 1969 ended up in a public feud with Truman Capote, both insulting each other on television.

In 1973, Susann was diagnosed with metastatic breast cancer.  The disease killed her in 1974.

The Book:




Length: 442 pages
Subject/Genre: Women's issues/Roman a Clef

I just want to put this up front:  I did not like this book.  Valley of the Dolls focuses on three women trying to make it in New York City, and for all its heavy-handed pro-independence messages, the women are unlikable and almost insultingly two-dimensional.  The novel is split into three sections, the first focusing on Anne Welles.  Welles comes from a small town to make a life for herself in New York City.  She's beautiful and wants to fall in love.  That last sentence is the sum of her character.  Susann consistently relies upon what is one of my biggest pet peeves in writing.  I'm sure you've heard the old advice, show don't tell.  Screw that advice, but don't tell me one thing, show me another, and expect me to believe both.  Other characters and even the narrator will state qualities about Anne's character, but Anne never exhibits any of these qualities!  We're told she's standoffish, but she's consistently a pushover.  We're told she's a remarkable secretary, but at that point the only task we've seen her perform was completed by someone else, in this case, Allen Cooper, the millionaire who fell in love with her.

That's another problem with Anne.  She never solves her own problems.  She comes to New York, and is immediately given a good job because she's so beautiful.  One could argue that this is a criticism of the shallowness of society, or that she's judged exclusively by her looks, but this argument would carry a lot more weight if Anne were not a complete Mary Sue with no personality of her own. In my research I came across a review of the book by Nora Ephron which is relevant here: "Valley had a message that had a magnetic appeal for women readers: it described the standard female fantasy--of going to the big city, striking it rich, meeting fabulous men--and went on to show every reader that she was far better off than the heroines in the book--who took pills, killed themselves, and made general messes of their lives." 

While the 'dolls' in the title refers to barbiturates, it can just as well refer to the characters, not just in the sense that they are seen as objects in a male-dominated world, but in the sense that they are vacant approximations of women for the reader to project a personality onto.  However, it's this very mirror-like effect, along with the controversy, that made the book so popular.  

A film version was released in 1967, starring Barbara Parkins, Sharon Tate, and Patty Duke.  The film, like the book, was a commercial success and a critical failure.  



Perhaps the most interesting thing about the movie is that the original screenplay (which was later revised to give it a happier ending) was written by SF demi-god Harlan Ellison, who is a significant figure in the Spec-Fic movement whose screenwriting credits include The Outer Limits and Star Trek (his episode of the latter went on to win a Hugo Award). I realize this is tangential, but it's always strange to see a writer who's a huge deal in one field write a movie in a completely different field, especially when the movie turns out badly (which may be why Ellison remained uncredited).    
Also notable was the would-be sequel, Beyond the Valley of the Dolls (1970), which ended up as a satire of the source material, and is one of the three films that Roger Ebert helped write (the other two being Up! (1976) and Beneath the Valley of the Ultra-Vixens (1979)).    

Look, this isn't a well-written book.  It's characters are flat and with no personalities of their own, the writing is rife with rhetorical questions to hammer in the point just made, because subtlety isn't a concern.  If your looking for a book about the position of women in the 20th century, read Breakfast at Tiffany's.  Read The Bell Jar.  Read Mrs. Dalloway.  Read Nightwood.  Read A Visit From the Goon Squad.  Read The Hours.  The fact is, this is a pretty poor book, and one that's tedious and frustrating to read if you ever stop to think about something as simple as character motivation.

Bestsellers of 1966:

1. Valley of the Dolls by Jacqueline Susann
2. The Adventurers by Harold Robbins
3. The Secret of Santa Vittoria by Robert Crichton
4. Capable of Honor by Allen Drury
5. The Double Image by Helen MacInnes
6. The Fixer by Bernard Malamud
7. Tell No Man by Adela Rogers St. Johns
8. Tai-Pan by James Clavell
9. The Embezzler by Louis Auchincloss
10. All in the Family by Edwin O'Connor

Also Published in 1966:

Mikhail Bulgakov - The Master and Margarita
Truman Capote - In Cold Blood
John Fowles - The Magus
Robert Heinlein - The Moon Is a Harsh Mistress
Daniel Keyes - Flowers for Algernon
Thomas Pynchon - The Crying of Lot 49
William Styron - The Confessions of Nat Turner
Anne Sexton - Live or Die
Tom Stoppard - Rosencrantz & Guildenstern Are Dead
Hunter S. Thompson - Hell's Angels

Sources:
"Jacqueline Susann." Contemporary Authors Online. Detroit: Gale, 2003. Literature Resource 
     Center. Web.


Monday, March 10, 2014

1965: The Source by James Michener

The Author:




James Michener (1907-1997) was adopted by a Quaker from Doylestown, Pennsylvania.  He attended Swarthmore college for English and psychology, graduating with honors in 1929.  After a couple years spent abroad, Michener returned to Pennsylvania to teach high school English.  In 1935, he married his first wife, Patti Koon, then earned his Masters and taught briefly at Harvard before becoming an editor for Macmillan Publishers.  

Michener served in the South Pacific during WWII.  His experiences there provided the basis for his first novel, Tales of the South Pacific (1947), which won the Pulitzer for fiction in 1948 and was adapted by Rodgers and Hammerstein for the stage, under the title South Pacific.  In 1948, Michener divorced Koon and married Vange Nord.  Michener appeared in the top 10 annual bestsellers list twice in the 1950s, and fifteen times over the course of his life, taking the top spot four times.  In 1955, he divorced Nord and married Mari Sabusawa.  In 1977, Michener recieved the Presidential Medal of Freedom.   He died of kidney failure in 1997.

The Book:



Length: 909 pages
Subject/Genre: Israel/Historical Fiction

The Source starts with a crew of archaeologists arriving at a dig site in Israel.  This archaeological dig serves as the frame narrative for a story that spans about five thousand years, starting in the Stone Age and the move towards an agricultural society up through the creation of the modern nation of Israel.

Michener's writing reminds me a lot of Irving Stone's, but whereas Stone novelizes the biography of individuals, Michener writes the biography of regions.  He does have some of the same problems as Stone, most importantly the rather dry prose.  The Source is exhaustively researched, and at many times reads more like non-fiction or a history textbook than a novel.    

This is the second novel about Israel on my list (not counting the novels that take place at or around the time of the Jesus), the first being Uris's Exodus, which is also based on exhaustive research.  Israel is still a hot topic today.

The Source is one of only a handful of novels so far on my list to have not had a film adaptation.  In this case, it's not surprising.  The Source functions in many ways like a novel in stories, that is to say, a novel comprised of a number of connected short stories.  

The Source is pretty darn long, which seems to be typical of Michener's work.  I feel that part of this is due to the novel's function as a history book, where details and explanations that are not really necessary for the story, or even slow the story down, are included for a sense of historical completeness.  This can be interesting, if at times a bit annoying.  

Overall, if you are interested in religious history or historical fiction, The Source  is a good, if long, book for you.

Bestselling Novels of 1965:

1. The Source by James Michener
2. Up the Down Staircase by Bel Kaufman
3. Herzog by Saul Bellow
4. The Looking Glass War by John le Carré
5. The Green Berets by Robin Moore
6. Those Who Love by Irving Stone
7. The Man with the Golden Gun by Ian Fleming
8. Hotel by Arthur Hailey
9. The Ambassador by Morris West
10. Don't Stop the Carnival by Herman Wouk


Also Published in 1966:

Frank Herbert - Dune
Jerzy Kosinski - The Painted Bird

Sources:

Michener, James. The Source. New York: Random House, 1965. Print.



Sunday, March 2, 2014

A Change of Schedule

Unfortunately, due to coursework, I'll have to switch back to an every-other-week posting schedule for main book reviews.  My review of James Michener's The Source will be posted next Monday.