Wednesday, November 20, 2013

Interview with George Saunders

If you haven't got around to it yet, check out some work by George Saunders.  He's quickly become one of my favorite writers (In Persuasion Nation is my favorite collection of his so far).  Here's him doing a reading from his most recent collection:


Monday, November 18, 2013

1955: Marjorie Morningstar by Herman Wouk

The Author:



Herman Wouk (1915 -    ) was born in New York, the son of Russian Jewish immigrants.  He lived in the Bronx and later attended Columbia University, from which he graduated in 1934.  He worked in radio until the bombing of Pearl Harbor, at which point he joined the Navy.  He used his experience in the Navy when writing his Pulitzer Prize winning third novel, The Caine Mutiny (1951).  His first novel, Aurora Dawn (1947) was a book of the month club selection, but his second, City Boy (1948), failed financially.  He married Betty Sarah Brown in 1945, and they remained married until her death in 2011. 


Wouk has had a long, prestigious career.  Other notable works include The Winds of War (1971) and War and Remembrance (1978), both dealing with the Holocaust.  He currently lives in Palm Springs, California.  His most recent novel, The Lawgiver (2012) is an epistolary novel concerning the making of a Moses movie, told through text messages, emails, etc.  


The Book:



Length: 573 pages
Subject/Genre: Character Study/Bildungsroman


Marjorie Morningstar is a bildungsroman about an upper-middle-class Jewish girl with dreams of being an actor.  Marjorie Mogenstern starts off as an idealistic beautiful teenager in the 1930s. She comes into conflict with the social norms of her parents and her contemporaries.  She falls in love with an older man, Noel Airman, a composer also looking for success in the theater.  Their relationship is a rocky one.  

While I try to avoid spoiling endings, I'd be remiss if I didn't discuss the epilogue for Marjorie Morningstar.  So, if you don't want any spoilers, skip this paragraph:  The epilogue takes place fifteen years after the rest of the story.  Marjorie, now in her late thirties, is a typical suburban stay-at-home mom.  All trace of her ambitions are gone.  This has led to a lot of debate and dissent amongst Wouk's readers.  Either it is a moralistic story, condemning sexual exploration and individualism in women, or it is meant to capture what happened to women in a society that was unfair to them.  Whether it's a depiction of society the way it was, or an attempt to reinforce those norms is a contentious point.

Wouk's critical and commercial success with his previous novel, The Caine Mutiny, no doubt aided sales for Marjorie Morningstar, which become a cultural phenomenon in its own right.

TIME magazine, Sept. 1955

And, like most of the books on the #1 bestseller's list, a film version was produced.  The 1958 adaptation starred Gene Kelly and Natalie Wood.


Marjorie Morningstar has a complex protagonist, and deals with the serious issues of adolescence.  I feel the book may be a bit dated, not to the extent that it is unrelatable, but it is clearly a product of a 1950's sensibility.  If you're looking for a coming of age story and don't demand a Hollywood ending, Marjorie Morningstar is a good pick.

Also published in 1955:
William Gaddis - The Recognitions
Graham Greene - The Quiet American
Vladimir Nabokov - Lolita
Flannery O'Connor - A Good Man Is Hard to Find
J.R.R. Tolkien - The Return of the KIng
Tennessee Williams - Cat on a Hot Tin Roof

Sources:
Wouk, Herman. Marjorie Morningstar. 1955. New York: Signet Books. 1957. Print.

Monday, November 4, 2013

1954: Not As a Stranger by Morton Thompson

The Author: 

Morton Thompson (?-1953) is hard to find information on.  The only print source of information I have on him doesn’t have a birth year.  The Wikipedia page and other online sources have his birth year down as circa 1907, but there’s no certainty that that’s accurate.  What I have found on Thompson is that his first work was a non-fiction humor collection titled Joe, the Wounded Tennis Player which was popular with soldiers in the Second World War.  In 1949, he published The Cry and the Covenant, a fictional biography of Ignaz Semmelweiss, the nineteenth century doctor who was forced out of the medical community with much hostility.  Semmelweiss had the crazy idea that doctors should wash their hands between the morgue and the delivery room. 

            Thompson committed suicide in 1953.  His last and most successful work, Not As A Stranger, was published in 1954.  That’s the sum of the information I’ve been able to verify about Morton Thompson.  If anyone has another source of information, please leave a comment.

The Book:


Length: 948 Pages
Subject/Genre: Medical drama/bildungsroman


  Not As a Stranger tells the life story of Lucas Marsh.  Born in a small town in the Midwest at the beginning of the twentieth century, Lucas is the son of a successful businessman and a devout mother.  Despite his parents' wishes, Lucas wants nothing more in life than to become a doctor.  His mother dies, and his father's business collapses around the time Lucas is going to medical school, leaving him broke as well.  Lucas marries an older nurse for her money and the story from then on is half drama, as Lucas becomes a great doctor but a bad person, and half exposé of the medical industry.  

   It seemed like this was two different books.  On one hand, a look at the inside of the medical industry, and on the other, a drama about the costs of success.  The former doesn't require over a hundred about the narrator's childhood, and the latter doesn't require the amount of technical information present in the novel.  Given the length of the book, it frequently felt like things were not really leading anywhere.  For example, we know from the beginning that Lucas is going to be a doctor.  On page four, the last line of the first chapter reads: "Lucas Marsh was born in the town of Milletta in the early 1900's, to Job Marsh, owner of a harness store, and Ouida Marsh, daughter of a druggist.  He was to be a doctor.  No more is known."   

    Of course, more is known.  944 pages more.  The story has some strong points, most notably the vibrant supporting characters.  Lucas's mother is a Freudian minefield.  The first time we're introduced to her, she's sitting at the kitchen table reading about phrenology (the pseudo-scientific belief that skull shape affects personality traits).  The seven year old Lucas comes in and Ouida measures his skull, noticing a bump that indicates "pronounced amativeness."  She tells Lucas that that means "playing with yourself."  She goes on:  "You must never play with yourself, Lucas.  Remember that, always.  And if you do, you must tell Mother.  Always."  She goes on a page later to tell Lucas that "Mother has such great dreams for you, darling. You're Mother's whole life, you know.  Never forget that.  Mother wants the little boy she suffered such agonies to bring into the world to be a great artist, a spiritual being the whole world will look up to."   

    The father is not as unsettling, but still a strange personality.  His name is Job, as I've mentioned, which also happens to be where the title is taken from.   The epigraph for the novel is "But as for me, I know that my redeemer liveth, and at the last he will stand upon the earth, and though worms shall devour my flesh, and my bones be as dust, yet Shall I see god, whom I shall see for myself, and mine eyes shall behold him, and not as a stranger. Job, 19;25"  The naming isn't particularly subtle.  In fact, the mother's maiden name is "Bourgeois."  And of course, the name Lucas/Luke has biblical significance.  On the one hand, there's Lucas's father who is not spiritual at all, who sleeps around and is predominately interested in making money.  The mother is spiritual to the point where she almost kills Lucas as a baby because she refuses to listen to doctors.  And Lucas learns to strike a balance between the two.    
   
   Despite its length, Not As a Stranger is not only an accessible read but deals with the medical profession, which has been a consistently popular subject in literature (e.g. The Egyptian or Green Light).  It also had the benefit of controversy, having been denounced by Catholic World and the added attention of the author's untimely end.  The following year, a film version was produced:


The film starred Robert Mitchum as Lucas Marsh, alongside Olivia de Havilland and Frank Sinatra. This was the directorial debut of Stanley Kramer.



    As an exposé of the medical industry, the story is very dated, which I feel detracts from its strength today.  It's not a bad novel, but it's not great either.  It's too long for its subject, even if there are bright points scattered throughout.  Not As a Stranger appears to be out-of-print, but unless you have a burning passion for doctor stories, it's not something you need to go out of your way to look for.   

Also published in 1954:  
James Baldwin - Go Tell It to the Mountain
Pierre Boulle - The Bridge on the River Kwai
William Golding - Lord of the Flies
Richard Matheson - I Am Legend
J.R.R. Tolkien - The Fellowship of the Ring and The Two Towers

Sources:
Server, Lee. Encyclopedia of Pulp Fiction Writers. New York: Facts on File. 2002. Print.
Thompson, Morton. Not As a Stranger. New York: Scribner's. 1954. Print.

Monday, October 28, 2013

1953 and a Brief Announcement

If you're looking for the entry for 1953's bestseller, The Robe by Lloyd C. Douglas, follow this link.


Otherwise, a brief announcement!  


       I'm really enjoying this project and plan to continue it until it's completed.  However, my course load is pretty heavy right now.  So I won't be able to maintain the weekly schedule for my project posts and will be doing them biweekly, at least until the end of the semester.  The reading and research required for each post takes considerably more time than writing the post itself.  In addition to giving me more time to study, I will also be able to focus more on posts outside the main review project.  So stay tuned!

Monday, October 21, 2013

1952: The Silver Chalice by Thomas B. Costain

The Author:



            Thomas B. Costain (1885-1965), was born in Brantford, Ontario, Canada.  His writing career started in 1902 when he was hired by the Brantford Courier as a reporter.  He later went on to work for the Ontario’s Guelph Daily Mercury in 1908.  In 1910, he married Ida Spragge and was hired as an editor by the Maclean Publishing Company.

            In 1920, Costain moved to the United States to become an editor of the Saturday Evening Post. That same year, he became a naturalized citizen.  He remained at the Saturday Evening Post until 1934, when he became a story-editor for Twentieth Century Fox.  He published his first novel in 1942, My Great Folly, which, like the rest of his novels, was a piece of historical fiction.  Costain also wrote a lot of non-fiction volumes, most notably the Plantagenet series, about the Middle Ages dynasty of the same name.

The Book:




Length: 533 pages

Subject/Genre: Early Christianity/Historical Fiction


            The Silver Chalice takes place in first century Greece, Rome, and Jerusalem.  The novel’s protagonist is a gifted silversmith named Basil.  Adopted by a wealthy Greek merchant, Basil was wrongly sold into slavery by his adoptive Uncle after his adopted-father’s death.  But the quality of his workmanship gained the attention of Luke (as in, ‘the gospel according to’).  Luke buys Basil’s freedom and takes him to Jerusalem to work for Joseph of Arimathea.  After completing demonstrating his ability to Joseph (and impressing his Joseph’s granddaughter, Deborra), Joseph reveals to Paul and Luke that he has the Holy Grail.

Artist's recreation

Joseph wants Basil to craft a silver chalice to house it.  This will require Basil to travel and meet the apostles so he can sculpt them.

            This is by no means the first time I’ve said what I’m about to say, but I feel like I need to say it again.  I was clearly not in the target audience for this piece of Christian historical fiction.  What I’ve found reading a bunch of these, is that they start with the assumption that anyone who reads it is already going to feel very strongly for Christianity.  If you don’t start with this viewpoint, the character’s emotional and spiritual growth doesn’t seem particularly reasonable because it acts as if there is only one possible spiritual/philosophical response.  Which, if you start with a foregone conclusion, isn’t a problem, but otherwise it falls apart a bit. 

            As I pointed out in the bio section, Costain was also known for his non-fiction histories.  From what I’ve found, the detail in The Silver Chalice (and there’s a lot of it) is very well researched.  In his attempt to capture the ancient world, Costain, like Lloyd C. Douglas, decided to use prose that mimics a scriptural tone. For example, “The oil merchant, gasping for breath and slightly purple of cheek, stepping inside to escape the sun, which was beating down with all the fury of the fires of atonement.”  The frequent use of archaic grammar (“purple of cheek”) and over-the-top religious metaphor seems a bit pompous, honestly.
 
            It wasn’t incidental that I mentioned Lloyd C. Douglas in the previous paragraph.  The Silver Chalice was frequently compared to The Robe, which is also the bestseller for the second time in 1953.  Religious fiction and historical fiction have been perennial favorites in American popular literature.  Likewise, one of the best ways to get on the bestsellers list is to have previously been on the bestsellers list.  Costain appeared on the top ten annual bestsellers four times in the 1940s, reaching the number two spot in 1947.  As with most of the bestsellers so far, The Silver Chalice was made into a film.



            The 1954 film is notable for two things: Being Paul Newman’s first feature film role (he played Basil) and being so bad that when it was going to air on TV years after its theatrical release, Newman took out an ad apologizing for the film. 

            Like with a lot of the books I’ve read so far on this list, The Silver Chalice is not bad, but it’s not very good.  It’s pretty understandable why it’s no longer famous.  If you enjoy religious/historical fiction, you’ll probably like The Silver Chalice, but there’s no particular reason to seek out this novel, specifically.


Also published in 1952:

Ralph Ellison - Invisible Man
Edna Ferber - Giant
Ernest Hemingway - The Old Man and the Sea
Flannery O'Connor - Wise Blood
John Steinbeck - East of Eden
Kurt Vonnegut - Player Piano
E. B. White -Charlotte's Web

Sources:
Dictionary of American Biography. New York: Scribners. Supplement 7 (1961-5). Print.
Costain, Thomas B. The Silver Chalice. Garden City, New York: Doubleday. 1952. Print.