Christopher Walken's "The Raven"

Just in time for Halloween, here's a reading of Poe's classic poem "The Raven," read by none other than Christopher Walken:

What I'm Reading/Watching

David Simon (creator of The Wire) had a six-episode miniseries that finished last Sunday.  Show Me  a Hero is about the city of Yonkers' response to the court mandated low income housing and the underlying racial tensions this brings to the surface.  It stars Oscar Isaac as councilman/mayor Nick Wasicsko, and has a great cast including Catherine Keener and Alfred Molina.

I also picked up a copy of Harlan Ellison's screenplay for I, Robot.  Those of you only familiar with the 2004 SF/Action/Converse Commercial may not know that Harlan Ellison wrote the original screenplay, which is itself highly regarded as a SF work.  Ellison got into a fight with a studio exec who was giving him notes despite not having read the script and Ellison claims to have "laid hands on" the exec.  Anyway, Ellison was kicked of the project. Later, Irvin Kershner (director of The Empire Strikes Back) was tapped to direct it, and agreed on the condition that Ellison be brought back to the project.  Anyway, the original script is pretty darn great.  It's a bit dated, but only in the sense that it reflects being written in the late 1970s.  

What I'm Reading/Watching

The Signet Classic paperback on Voltaire:  I had already read Candide, but this collection includes a couple novellas (Zadig and Ingenuous) and thirteen short stories.  Some were very topical, dealing with specific Jesuits and Jansenists and their feuds, while others were more broadly philosophical and always witty and insightful.

The Pun Also Rises: How the Humble Pun Revolutionized Language, Changed History, and Made Wordplay More Than Some Antics by John Pollack:  Pollack, winner of the 1995 world pun championships, has a brief (154 pages, not counting bibliography, acknowledgments, etc.) account of the history, popularity, and neurolinguistics behind puns.  Very accessible, but at times a bit disorganized, it's a fun read on the subject.  Its original research is limited to asking questions of comedians, writers, linguists, and and neuroscientists, so it's really more of a summation of existing research.

Ended up seeing Lucy (2014) on DVD.  Holy crap was that movie stupid.  The whole 10% of the brain thing would be okay if Besson didn't try to make the movie seem profound by having characters ponder the meaning of being human his liberal use of nature footage.  Then there's the problem of having an action movie where the main character can manipulate matter and no one else can.  There's never any sense of real danger for Lucy.  That said, I can see this having a cult following.  It has a couple big names (Scarlett Johannson and Morgan Freeman), the plot is laughably stupid, and it has some pretty cool visual effects.

What I'm reading/watching

I didn't get a chance to post last week, as I was in New York and didn't have wifi when I had expected to.

I finished Anton & Wilson's The Illuminatus! Trilogy, which was absolutely hilarious.  The beginning is pretty rough, but once it picks up steam it's a page turner.  It's also so clearly a product of the mid-70s, and transmits the counter-culture of that time fantastically.

Tom Stoppard's radio play Artist Descending a Staircase (1972) which was later performed as a play.  It has some great passages about modern art and I like the palindromic structure (think Cloud Atlas), although I still prefer the other Stoppard plays I've read (Rosencrantz and Guildenstern Are Dead and Arcadia).

I saw Fury Road, which was an excellent action movie.  The stunt work was fantastic, the over-the-top seventies B-flick aesthetics were great, it was quite simply everything an action movie should be.

I also saw Pitch Perfect 2 which was fun but forgettable.  None of the character development or emotional connection that made the original popular were here.  There was a lot of product placement, which was a bit distracting, but there were a lot of very funny cameos, culminating with David Cross as the world's biggest a cappella  fan, throwing a private a cappella battle including one group called the Tone Hangers (including Reggie Watts, Jason Jones, Joe Lo Truglio, and John Hodgman) and the Green Bay Packers (including several actual members of the Green Bay Packers).  The winner gets a $42,000 gift certificate to Dave & Busters (cf. product placement).

I also saw a performance of Hand to God at the Booth Theater.  The play, by Robert Askins, takes place in Texas "where the city meets the country" and centers on a teenager whose hand puppet is the possessed by the devil (or maybe he's just a bit touched in the head).  It's funny and weird, the cast was fantastic, and this is the second broadway show I've seen that features graphic puppet sex (although the first I've seen in it's original broadway run).

What I'm Reading/Watching

Gabriel García Márquez's News of a Kidnapping (1996).  It's a non-fiction account of the abduction of ten journalists and/or their relatives by Pablo Escobar in the early 1990's, tied in with the legal/political framework of the Colombian governments attempts to curb narcoterrorism.  I didn't know much about the subject before reading this book, and Márquez is writing to a Colombian audience, so there are some aspects of the social/political background that aren't immediately apparent to an American audience.  But overall it's a fascinating account of the captivity and political maneuvering surrounding these abductions.

I also read Charles Lee's The Hidden Public (1958) for research.  It's a history of the book-of-the-month club from its inception in 1926 up through 1958.  Lee is clearly a fan of the club, and at times the book reads like an internally produced 'history of our company', but it provides a lot of information clearly and Lee was given access to BOMC's records.

I've just begun Robert Shea and Robert Anton Wilson's The Illuminatus! Trilogy (1975).  It's pretty hilarious so-far, and seems like a mix of Thomas Pynchon and Douglas Adams (think The Crying of Lot 49 meets The Long Dark Tea-Time of the Soul).  One of the main characters names happens to be Saul Goodman, which can be a bit distracting, kind of like Homer Simpson in Nathanael West's The Day of the Locust.  Shea and Wilson have Pynchon and Adams's taste for bizarre character names, like Hagbard Celine, Harry Coin, and, no shit, Sasparilla Godzilla (but honestly, is that really much weirder than names like Sauncho Smilax or Dirk Gently).  Even Saul Goodman is a silly name (S'all good, man).

I've also been watching some of the original Twilight Zone series on Netflix.  While there are a handful that get replayed frequently, the rest of the series holds up surprisingly well.  The tenth episode, Judgment Night, is worthy of being a classic.  The twist is expected, but the execution is superb.

What I'm Reading/Watching

I've seen some other lit blogs have a similar weekly-ish post like this, so I figured I might as well, as well.

I'm nearing the end of Dan Simmons' SFF novel Hyperion (1989), the first novel of a tetralogy called the Hyperion Cantos.  Beyond the fantastic world-building, Simmons does a great job of melding science fiction and fantasy elements in the same worlds as a group of unlikely pilgrims go on a quest to find the mysterious and deadly Shrike.  I can't help but feel that Hyperion had a big aesthetic influence on Brian Vaughan and Fiona Staples' Saga series.

I also saw Ex Machina, written and directed by Alex Garland (screenwriter for 28 Days Later and Dredd).  It's a solid, absorbing SF piece, with fantastic acting by Oscar Isaac, Domhnall Gleeson, and Alicia Vikander.   The less you know going in, the better.

Bill Murray Reads Huck Finn

As the video explains, the section being read was not in the novel originally, but was added in some a critical edition in the 1990s.  If you're wondering why you've never heard of this, it's probably because it aired on CSPAN-2 in 1996.  Murray's reading ends about 14 minutes into the video.  It is followed with a panel discussion including William Styron (The Confessions of Nat Turner, Sophie's Choice), and authors Shelby Foote, Roy Blount, and Twain biographer Justin Kaplan.

Awesome Poetry Reading

A lot of awesome things don't work together.  But every now and then, someone thinks to combine two amazing, unrelated things that no one would expect to go together.  Two things like early nineteenth Century poet Percy Bysshe Shelley and AMC crime drama Breaking Bad.

Interview with George Saunders

If you haven't got around to it yet, check out some work by George Saunders.  He's quickly become one of my favorite writers (In Persuasion Nation is my favorite collection of his so far).  Here's him doing a reading from his most recent collection:

1Q84 by Haruki Murakami: A Spoiler-Free Review

           The only Haruki Murakami book I read prior to 1Q84 is Kafka on the Shore.  Like Kafka, 1Q84 alternates between narratives, and casts the protagonists as instruments of forces that they do not understand.  The biggest difference between the two is about 700 pages. 

            Perhaps that’s unfair.  The story in 1Q84 is distinct and its elements of mythology and metaphysical ponderings were entertaining and engaging.  But the length was, in my opinion, a detriment to its overall strength.  However, looking back, I can see that while the pacing of the novel as a whole was a slow trudge through the moors, the pacing of any individual chapter was a gentle walk down the road.  If I could give one piece of advice on how to read this novel, it would be to read one or two chapters at a time, and then put the book down, go outside, run some errands, take a nap, and then read another one or two chapters.  Unless you are completely in love with 1Q84, it won’t be an easy read if you try to go through it in long sittings (as I did).  

            One thing I’ve seen quite frequently in reviews and discussion about 1Q84 is how it changed people’s perspectives on (or at least got them thinking about) the nature of reality, the universe, etc. etc.  While I certainly saw all those themes and ideas, I don’t think there’s any there that I haven’t come in contact with before.  If this type of subject isn’t your usual fare, I think it will have a much more profound impact. 

            One question I hate answering is “Would you recommend it?”  I don’t like making blanket recommendations.  If you like long books (I’m talking nearly 1200 pages), if you like or are interested in reading books which question the nature of reality, of morality, of metaphysical existence, if you are okay with a slow pace, then I would recommend 1Q84.  If you don’t fit one or more of those categories, then I probably wouldn’t.

Gravity's Rainbow Original Comic Strip