Showing posts with label edna ferber. Show all posts
Showing posts with label edna ferber. Show all posts

Monday, June 10, 2013

1930: Cimarron by Edna Ferber


Who?
            Edna Ferber (1885-1968) appears twice on my bestsellers reading list, the first time for 1924’s Pulitzer Prize winning So Big.  Ferber was born in Kalamazoo, Michigan and had a brief stint in journalism before moving on to fiction-writing, penning classics like Giant and Show Boat

            Ferber never married nor had children and her personal life and professional life were largely overlapped.  Along with critics, writers, and entertainers like Harpo Marx and Dorothy Parker, Ferber was a member of the Algonquin Round Table, an informal group that met daily at the Algonquin Hotel in New York City. 

So what's this book about?
            Cimarron takes place over a span of nearly three decades, from the opening of the Oklahoma Territory to homesteaders to the late 1910’s.  Its focus is on the Cravat family, especially the matriarch, Sabra Cravat.  Her husband, Yancey, convinced Sabra to leave “civilization” for the new frontier.  Yancey is a larger than life figure, a quick-draw sharpshooter with a mysterious past and wild ambitions.  He sets up a newspaper in the town of Osage, which Sabra ends up running, as well as raising her family and becoming a powerful figure in the town. 

            There are two main stories in Cimarron: Sabra and Osage.  Sabra goes into Oklahoma as a naïve girl, but grows self-sufficient.  While the characters in Cimarron are layered and fascinating, there is a lack of character development.  Sabra does become confident and, I’d argue, bitter.  However, for the most part, her opinions and beliefs don’t change as a result of any personal growth, but rather adapt to the circumstances around her. Seeing the novel as a story about the growth and development of Osage is at least as interesting as a story about the characters, as it goes from a lawless tent city to a new metropolis.

Why was it so popular?
            Cimarron, like So Big, is a story of the growth of the American Midwest.  On one hand, it’s a story about the history of Oklahoma specifically, and America in general, on the other it’s an escapist Western with Indians and gun fights and bank robberies.  Although published in 1929, Cimarron became the bestseller of 1930.  The Great Depression began in the U.S. in late 1929, leaving a large percentage of the population out of work, and financially ruining many more.  In 1930, a severe drought began in Oklahoma, harming farming industry in the area (and paving the way for the Dust Bowl).  At a time when people were at their lowest, a novel that could provide escape while reminding them of the harsh trials overcome in their nation’s past would be popular.   

Why haven't I heard of it?
            Much of the action in Cimarron (bank robberies, shoot outs, etc.) are don’t occur on the page, but are told by one character to another.  The classic western hero is deeply flawed, as are all the characters (by which I mean they have human flaws, not that the characters are constructed poorly).  The parts of the novel concerning Native Americans are interesting: it’s not the politically incorrect murderous savage Natives of Zane Grey, but it’s not the dignified wise men of more modern popular culture.  None of the above are negative things, but they make Cimarron less of a fun and easy read than the likes of Zane Grey’s novels.  I don’t have a lot of experience with Westerns, so I can’t say with any certainty whether Cimarron maintains any sort of popularity within that community. 



            Film buffs may recognize the name.  The 1931 film version starring Irene Dunne and Richard Dix won Best Picture at the Fourth Academy Awards.  The 1960 version was nominated for two Oscars and starred Glenn Ford as Yancey Cravat.  (Glenn Ford, incidentally, played the lead in the 1962 version of 1919’s bestselling TheFour Horsemen of the Apocalypse.

Should I read it?
            If you’re a fan of Westerns, definitely.  If not, I’d say there’s a fifty/fifty chance of you liking it.

Also published in 1930:
The 42nd Parallel (first book of U.S.A. Trilogy) - John Dos Passos
As I Lay Dying - William Faulkner
The Maltese Falcon - Dashiell Hammett
Not Without Laughter - Langston Hughes

Sources:
Ferber, Edna. Cimarron. 1929. Greenwich, CT: Fawcett Crest. 1971. Print.
Gilbert, Julie Goldsmith. Ferber, a biography. Garden City, NY: Doubleday. 1978. Print.

Monday, April 29, 2013

1924: So Big by Edna Ferber



Who?
Edna Ferber (1885-1968) was born in Kalamazoo, Michigan to a Jewish family.  In her childhood, her family moved across the Midwest.  After graduating high school, she briefly worked as a journalist for the Appleton Daily Crescent and the Milwaukee Journal.  Her writing career was strong, winning the Pulitzer Prize for So Big (1924) and was a member of the Algonquin Round Table, a group of writers, performers, and critics that met daily at the Algonquin hotel in New York which included the likes of Dorothy Parker and Harpo Marx. 

            Ferber never married nor had children.  Most reports of serious romantic relationships are based largely on speculation and rumor.  But she had a career that spanned over fifty years.  In 1931, her novel Cimarron (1929) became the fourth film to win an Oscar for best picture.  Giant (1952) is probably her best known work at present, due in no small part to the film version starring James Dean. 

So what's this book about?           
            So Big is titled after the protagonist’s son’s nickname.  The protagonist is Selina De Jong nee Peake, a young woman who goes to the Dutch faming community on the outskirts of Chicago as a schoolteacher.  Despite the culture shock, she soon falls for and marries the farmer Pervus De Jong.  When Pervus dies, Selina raises her son while taking over the farm.

            While the story as I’ve described it so far may not seem particularly special, Selina De Jong is an incredibly well-drawn character.  Her relationship with the town and, more importantly, her relationship with her son as a child and when he becomes a successful bond broker, is beautifully rendered. 
            So Big is as much a portrait of Dutch farming communities at the turn of the century as it is a record of how the world changed from the 1890s to the 1920s. 

Why was it so popular?
            So Big, like Main Street, and to one extent or another, many of the books so far on the list, deals with role of immigrants and the poor in society, and more specifically, the undeserved disdain they receive from those that are better off.  But not just anyone that is ‘better off.’  So Big isn’t taking a stance against wealth, but against wealth for the sake of wealth.  One of the novel’s supporting characters is a packing industry tycoon, one of the many of his kind that sprung into existence in the before the anti-trust laws dissolved their empires.  This character is shown favorably.  He built his company from the ground up and, as evidenced by his continued friendship with his low-level employees and personal affectations, has never forgotten where he came from.  His children and grandchildren are not represented as well and it is these characters (and those of their ilk) that are seen as being disdainful to the poor.

        Also, within the year of 1924, a silent film version was made featuring the extremely popular Colleen Moore.


If you wanted to see the film, you're out of luck.  It's considered a lost film, with only copies of the trailer existing.

           
Why haven't I heard of it?
           While the topic of poor migrant workers is as valid today as it was ninety years ago, the nature of the topic has changed.  We no longer have large numbers of immigrant independent small farm owners.  Additionally, the subject of “turn of the century Dutch immigrant farming community” does not sound interesting.

Should I read it?
          Yes.  Well-written with a good story, the best thing about So Big is the characters.  Even the bit characters are complex enough to dig into.  Even if you’re like me, and the subject is not an enticement, I think you’ll be pleasantly surprised.      

Also published in 1924:

The Land That Time Forgot - Edgar Rice Burroughs
Billy Budd, Sailor - Herman Melville

Sources:

Ferber, Edna. So Big. Garden City, NY: Doubleday, Page & co. 1924.

Gilbert, Julie Goldsmith.  Ferber, a biography. Garden City, NY: Doubleday. 1978.