Showing posts with label class action. Show all posts
Showing posts with label class action. Show all posts

Monday, May 11, 2015

2011: The Litigators by John Grisham

The Author:




John Grisham (1955-    ) was born in Jonesboro, Arkansas, the son of a construction worker. At the age of twelve, his family moved to Southaven, Mississippi.  He graduated with a B.S. from Mississippi State University in 1979.  He passed the Mississippi Bar exam in 1981, and received his J.D. from the University of Mississippi.  In 1981, he married Renee Jones, with whom he had two children. 

Grisham began a successful law practice in 1981, starting in criminal law, and moving to more lucrative civil law.  In 1984, he was elected to the Mississippi State House of Representatives, a position he held in addition to running his law practice.  A case he witnessed while in the state legislature led him to write his first novel, A Time to Kill (1989).  He had trouble finding an agent and publisher.  He eventually found both, and a limited run of 5,000 copies was printed of his first novel.  In 1990, Grisham resigned from his position on state legislature and retired his practice.  In 1991, Doubleday published his second novel, The Firm.  It was a massive commercial success, as were his third and fourth novels, The Pelican Brief (1992) and The Client (1993).  His fourth book, The Chamber (1994) is the first of eleven novels to become the number one annual bestselling novel in the U.S.

Since 1989, Grisham has published a total of 29 novels, five children's books, and a work of non-fiction.  His family splits its time between homes in Oxford, Mississippi, Charlottesville, Virginia, and Chapel Hill, North Carolina.  Grisham also serves as a board member on the Innocence Project. 

The Book:



Length: 385 pages
Subject/Genre: Lawyers/Legal 'thriller'

This is it.  The last goddamned one.  Let's get this over with.  The Litigators is about a group of litigators (what a shocker).  You start with two low rent ambulance chasers (cf. The Rainmaker) and a successful up-and-comer at a big firm who quits after finding his job meaningless (cf. The Street Lawyer).  They get themselves involved in a big ol' class action lawsuit (cf. The Rainmaker, The Runaway Jury, The Appeal).  There's some wackiness (cf. The Brethren) and a bunch of misfits being misfits while trying to make a living practicing law (cf. The Brethren, The Rainmaker).  There's a case, there are twists in the case, people keep secrets, some people lose a lot of money, some people make a lot of money (cf. every damned Grisham novel after The Chamber).

This isn't Grisham's worst novel, but it's nothing more than a mixture of his decent novels.  The problem now is that I have pretty much nothing to say about it that isn't itself a repeat of an earlier Grisham review.  I could see it being entertaining if someone hadn't read ten more of these freakin' things in the last several months, but I don't have that luxury.  It is thoroughly, relentlessly, and all and all average.  It is neither remarkably good, nor remarkably bad.  It is exactly what I would expect when someone says 'Grisham novel,' nothing more, nothing less.  Maybe the reason this guy sells so well is that by the time the next book comes out, his readers have forgotten his last one.  (I know I'm being rather harsh, both on Grisham and his readers.  This is just me venting frustration.  Eleven of them, for crying out loud!)

Look, it was okay.  I might have even enjoyed it a bit if it didn't feel like I'd read it ten times already.  It's the type of book that a Grisham fan would like, in that it's perfectly standard fare for Grisham.  If that sounds like something you'd like, then go ahead and read it.  Or read any other Grisham novel for the exact same result.  I don't care.  I'm just glad to be done.

Bestsellers of 2011:

1. The Litigators by John Grisham
2. 11/22/63 by Stephen King
3. The Best of Me by Nicholas Sparks
4. Smokin' Seventeen by Janet Evanovich
5. A Dance with Dragons by George R. R. Martin
6. Explosive Eighteen by Janet Evanovich
7. Kill Alex Cross by James Patterson
8. Micro by Michael Crichton
9. Dead Reckoning by Charlaine Harris
10. Locked On by Tom Clancy and Mark Greaney

Also Published in 2011:

The Round House by Louise Erdrich
The Marriage Plot by Jeffrey Eugenides
Moonwalking with Einstein by Joshua Foer
The Art of Fielding by Chad Harbach
Pym by Mat Johnson
1Q84 by Haruki Murakami
Swamplandia! by Karen Russell
The Pale King by David Foster Wallace


Monday, April 20, 2015

2008: The Appeal by John Grisham

The Author:




John Grisham (1955-    ) was born in Jonesboro, Arkansas, the son of a construction worker. At the age of twelve, his family moved to Southaven, Mississippi.  He graduated with a B.S. from Mississippi State University in 1979.  He passed the Mississippi Bar exam in 1981, and received his J.D. from the University of Mississippi.  In 1981, he married Renee Jones, with whom he had two children. 

Grisham began a successful law practice in 1981, starting in criminal law, and moving to more lucrative civil law.  In 1984, he was elected to the Mississippi State House of Representatives, a position he held in addition to running his law practice.  A case he witnessed while in the state legislature led him to write his first novel, A Time to Kill (1989).  He had trouble finding an agent and publisher.  He eventually found both, and a limited run of 5,000 copies was printed of his first novel.  In 1990, Grisham resigned from his position on state legislature and retired his practice.  In 1991, Doubleday published his second novel, The Firm.  It was a massive commercial success, as were his third and fourth novels, The Pelican Brief (1992) and The Client (1993).  His fourth book, The Chamber (1994) is the first of eleven novels to become the number one annual bestselling novel in the U.S.

Since 1989, Grisham has published a total of 29 novels, five children's books, and a work of non-fiction.  His family splits its time between homes in Oxford, Mississippi, Charlottesville, Virginia, and Chapel Hill, North Carolina.  Grisham also serves as a board member on the Innocence Project. 

The Book:


Cover design-John Fontana/Illustration-Shasti O'Leary Soudant/
Photograph-Nicholas Giraud


Length: 484 pages
Subject/Genre: Law/Legal Thriller

The Appeal starts with a verdict against a blatantly evil chemical company which had been knowingly dumping toxic waste into the water supply.  The jury finds the company responsible, and, in addition to a few million in actual damages, awards $38 million in punitive damages.  This opens up the company and it's owner, Carl Trudeau, to more lawsuits and possible bankruptcy.  Trudeau realizes this, and knows he might not win an appeal (mostly because he's unbelievably guilty), so he decides to stack the deck in his favor.  Mississippi is one of a few states that elects state supreme court judges, so Trudeau decides to get someone who will side with him on the bench, replacing a justice that generally sides with plaintiffs.  This process takes up most of the book.  I don't generally like giving away endings, but in this case it's necessary.  Fisk gets elected, almost has a change of heart, but ends up sticking with Trudeau, who ends the party having a big big party on a big big boat.

Trudeau is evil to the point of making the issue of judicial elections go past black and white and into comic book territory.  He's a mix of Sherman McCoy from The Bonfire of the Vanities and Lex Luther.  Here's an actual quote from the meeting after he finds out he lost the initial case.  "Not one dime of our hard-earned profits will ever get into the hands of those trailer park peasants."  While I understand the use of setting clear good and evil when writing a novel with a very specific moral (electing judges is a bad idea), you eventually reach a point of diminishing returns.  Either your reader is an idiot, in which case you're screwed no matter how obvious you make your point, or he's not an idiot, in which case you shouldn't treat him as if he needs the obvious shoved in his face. And this isn't just me griping over my tenth Grisham novel.  I've mentioned before that I like to read the Goodreads reviews on the books I read for this project, and reviews for this book generally fell into two camps.  The smaller camp was people complaining about the panderingly oversimplification of the novel's purpose.  The larger camp is mostly comprised of people who start the review declaring their fandom for Grisham, but giving it a one star rating because they didn't like the ending.  To quote user Alicia: "Grisham could have had a great legal thriller but instead he chose to write a political commentary that tricked me into thinking I was reading for pleasure and enjoyment."    

To quote the top review (from user babyhippoface): "I understand what Grisham was trying to do, but I hate what he did. Hate. H-A-T-E. "    

I never thought I'd feel bad for John Grisham.  He usually gives his book happy, or at least happy-ish, endings.  The good guys win and bad guys get theirs, even when it doesn't make sense.  He's often written about the corruption in politics and the legal world, and if the goodreads response to this novel is indicative of his average reader, I can understand why he felt the need to stop giving them happy endings.  Look, I get that people want stories that are entertaining.  There's nothing wrong with entertainment, with enjoyment, with reading for pleasure.  But what level of obliviousness and complacency and entitlement leads to the response this novel received?  The dislike it receives for being hyperbolic or heavy-handed I understand (and agree with).  But it seems like the general reaction was anger, anger at Grisham for not having given them a happy ending tied up in a neat bow.  Their reaction was to go online and write angry comments about Grisham, rather than write angry letters to their congressman.  Grisham usually brings some social issue into his novels, and he usually deals with them in a very superficial manner.  The Appeal is no exception.  But I'm just struck by the aggressive indifference of his fanbase.  It's one thing if they didn't just like the ending, but the general rhetoric is that they were angry at Grisham for not giving them the ending they wanted, that he had wronged them by disturbing their carefully built up complacency.  I guess I'm angry.  That I had to first read nearly five hundred pages of boring, heavy-handed agitprop, and that I now have to get up here and defend it against criticism far more stupid than the novel itself.  It would be one thing if they disagreed with the message of the novel, but they seem to generally agree.  Perhaps a condensed version of the response would be: "I agree that this is bad, but how dare you make me be aware of it."

I know there are still good books that sell a lot of copies, and there are writers who take on serious social and political issues.  But these two categories seem to keep moving farther and farther apart.  Even up to the 1970's you'd find people like Solzhenitsyn on the top ten annual list.  And this is ignoring the days when people like Sinclair Lewis, or Pearl Buck, or John Steinbeck, or Edna Ferber were some of the most read authors in the nation.  Even books I enjoyed, like A Thousand Splendid Suns or the Millenium trilogy, are limited to already popular statements like 'don't blow shit up' or 'sexism is bad.'  I guess I'm just frustrated by a culture that considers entertainment to necessarily be nothing but mindless diversion and wish-fulfillment, and an industry that caters to and encourages this.  

I'm sure you can figure out my recommendation (and probably my general frame of mind as well).

Bestsellers of 2008:

1. The Appeal by John Grisham
2. The Story of Edgar Sawtelle by David Wroblewski
3. The Host by Stephenie Meyer
4. Cross Country by James Patterson
5. The Lucky One by Nicholas Sparks
6. Fearless Fourteen by Janet Evanovich
7. Christmas Sweater by Glenn Beck
8. Scarpetta by Patricia Cornwell
9. Your Heart Belongs to Me by Dean Koontz
10. Plum Lucky by James Patterson

Also Published in 2008:

2666 by Roberto BolaƱo (English translation)
Unaccustomed Earth by Jhumpa Lahiri
A Mercy by Toni Morrison
Home by Marilynn Robinson
When You are Engulfed in Flames by David Sedaris