Showing posts with label conspiracy. Show all posts
Showing posts with label conspiracy. Show all posts

Friday, July 14, 2017

A Proposed Taxonomy of Conspiracism

 Not too long ago, I read Jesse Walker’s The United States of Paranoia, which covers conspiracy culture in US political history, ranging from colonial fears of Indian insurrection to 9/11 truthers. Where Walker’s book excelled compared to others I’ve read on the subject is his decision to focus on paranoia as opposed to conspiracism, thereby avoiding the pedantic delimiting of the grey area between the two. His thesis, in simple terms, is that a) paranoid thinking has played a non-neglible role in American history since its beginnings and b) that despite claims by other researchers of the subject (especially Hofstadter), this paranoia is not only prevalent on the fringes. Walker makes a point of refuting claims that it is only during extreme cases that paranoia becomes rampant across the political and social spectrum (e.g. the Satanism scares in the 1980s). While he accomplishes this, he does so at the expense of a useful taxonomy of paranoia/conspiracism. Walker defines five types of paranoia that can be mixed and matched, namely the Enemy Within, the Enemy Outside, the Enemy Below, the Enemy Above, and the Benevolent Conspiracy. Walker’s desire to prove that paranoia is not only on the fringes limits the depth of what is otherwise a fantastic overview of the subject. In the aim of furthering his thesis, Walker created a taxonomy in which the only valid distinction is who is the subject of paranoia, but where the degree of paranoia is irrelevant. So within Walker’s taxonomy, a man who has been investigating the banking industry for decades and considers it completely untrustworthy, an economic populist who distrusts centralized banking as part of a broader political view, and a man who believes that all the banks in the world are owned by the Rothschilds to further a Zionist new world order, would all fall into the same category of paranoia. Walker’s categories are insufficient.

But speaking of conspiracy, rather than paranoia in general, how should a taxonomy be devised? The main goal is to identify useful distinctions. I don’t think there’s a significant distinction between someone who believes the CIA killed Kennedy because he was getting in their way and someone who thinks the FBI killed Kennedy because he was getting in their way, although the belief that he was killed because he was going to publicize the existence of reptilian overlords would be significantly different. I have a tentative taxonomy of conspiracy theories that consists of two factors: scope and perpetrators.

Scope can be broken down into only two categories: limited and open-ended. Every real-world conspiracy theory (from the Tuskegee experiments to Iran-Contra) has fallen into the former category. A limited conspiracy is the use of conspiracy for ultimately non-conspiratorial ends. The moon-landing being faked for the propaganda purposes would fall under this category, because “winning the cold war” isn’t conspiratorial. This is not to say that the ends achieved by a limited conspiracy must be legitimate. Some flat-earthers believe that the reason governments keep the earth’s shape a secret is so they can use the space programs as shell companies to shuffle money around off the books. While hiding funds may be conspiratorial in a legal sense, it isn’t anymore conspiratorial than the claim that “the government doesn’t always want us to know what it does with all its money.” If, however, a flat-earther believes that the governments of the world were hiding the shape of the planet so they could funnel money to create a single world government to enslave us all, then this would be an open-ended conspiracy. People who believe that the contrails from planes are actually chemicals designed to affect the public, tend to fall into the open-ended category, as the purpose of the chemtrails is generally part of a larger, more sinister ploy. Notably, most open-ended conspiracies tend to focus on a new world order, often some form of single world government. Whether this is run by the Illuminati, the Jews, the Jesuits, the Reptilians, Satan, etc. depends largely on when and where the conspiracy arises.

The second taxonomy, perpetrators, can be split into three categories, which I call: Mostly Harmless, Partisan, and Cabal. While I’ve named this “perpetrators,” this is more than just a simple cui bono? As indicated by the first category of perpetrator, the supposed victims of the conspiracy are taken into account. In the first category, even according to the conspiracists, there is little actual harm done. At most, it’s the truth that is harmed, and the deception is itself the greatest evil involved. Who benefits is, I believe, of secondary importance in these examples. Those who believe that the moon landing was faked or that evidence of Bigfoot is being systematically hidden would fall into this category. No one is being seriously harmed by the perpetuation of these conspiracies. Children aren’t being pimped out of a pizza parlor, skyscrapers aren’t being blown up, aliens aren’t taking over the earth.
“Partisan” would refer to cases where there is one large group that benefits at the expense of another. While only a small number of people need be aware of the actual conspiracy, it benefits the entire group. Some of those who believe that the Sandy Hook shooting was a ploy to enact gun control laws would fall into this group. Within this conspiracy, only a small number of people would actually be complicit, but all who advocated for gun control in its wake would benefit. Likewise people who thought that the Bush administration was responsible for 9/11 to aid the popularity of Bush and his party, or that FDR allowed Pearl Harbor to happen to stymie isolationists. It should be noted that many Partisan conspiracies focus on the same events as “Cabal” conspiracies. The main difference between the two is that in the latter, it is only the conspirators who benefit, not everyone on their side. (e.g. people who believe that Sandy Hook was meant to lead to the confiscation of guns and the enslavement of all Americans, regardless of their position on gun control, would fall into the “Cabal” group).


I think the best example of a Cabal conspiracy is the anti-vaxxers. In their view, the medical industry is intentionally giving kids autism. Most people who are pro-vaccine are not part of the conspiracy, but as opposed to liberals who participate in “the war on Christmas,” those who unwittingly aid the conspirators are themselves harmed. The Cabal can also be clandestine. As opposed to something as visible and publicly debated as anti-vaxxers, this could be a Rothschild secretly tightening control on the banking systems, waiting for the right time to strike.

Monday, May 25, 2015

2013: Inferno by Dan Brown

The Author:




Dan Brown (1964-    ) was born in Exeter, New Hampshire, where his father worked as a professor of mathematics.  Brown went on to study at Philips Exeter and later Amherst, from which he received his B.A. in 1986.  He moved out to Hollywood to pursue a career in music.  He released a few albums by 1994.  In 1993, he moved back to New Hampshire with Blythe Newlon, whom he married, and taught English at Philips Exeter.  He and his wife co-wrote his first book: 187 Men to Avoid: A Survival Guide for the Romantically Frustrated Woman.  Brown was credited under the pseudonym Danielle Brown. He quit teaching to work full time in 1996 and published his first novel,Digital Fortress, in 1998.  Angels & Demons (2000) was his first novel starring Robert Langdon.  His fourth novel, The Da Vinci Code (2003) was the bestselling novel of the year it was published and the following year.  His next two novels, The Lost Symbol (2009) and Inferno (2013) were the bestselling novels in the year they were published.


The Book:




Length: 611 pages
Subject/Genre: Conspiracy/Conspiracy theory

Inferno starts with Robert Langdon waking up in a hospital room in Florence, a bullet wound having caused some short term amnesia.  Except all but one of those things turns out to be a lie.  Robert Langdon has to find out what he was working on that almost got him killed, why he's in Italy, and what's happened over the last couple days, with the help of genius doctor/actor/polyglot/prodigy Sienna Brooks. All he has are dreams of a woman predicting doom and an altered version of Botticelli's Mappa dell Inferno.

There's a lot of withholding information going on, often to absolutely no result.  For a long time, everyone avoids naming the bad guy, which would make sense if the bad guy were a character we knew of.  Even characters who have no reason to avoid using his name awkwardly avoid using it until Langdon figures it out.  Likewise, there's plenty that is so blatantly obvious that when the 'secret' is revealed, the only possible response is a resounding, "Yeah, I got that two hundred pages ago." To top it off, there are so many twists we just end up with a story that is convoluted.  After the fourth time you say, "All along you assumed it was X, but really it was Y!", I'll stop assuming X is X and I won't be surprised when it turns out to be Y (again).

To be fair though, Inferno was a step up from The Lost Symbol.  Since Brown wasn't dealing with a secret society (real or imagined), he stuck closer to facts.  A mad scientist obsessed Dante uses clues based on The Divine Comedy, rather than finding some secret code Dante hid in his own poetry.  Brown also starts to shy away from calling Langdon a symbologist, only using the phrase a couple times, at one point even referring to Langdon as "an art historian who specialized in iconography."  While this may seem like a trivial point, imagine if Indiana Jones went around calling himself a Treasurologist.  It just makes the character sound stupid.

Don't get me wrong, I still don't recommend Inferno.  The plot is convoluted, the characters are boring, many characters do things solely to advance the plot, etc.  It's far more tolerable than any of his earlier books, but you won't miss anything by skipping it.

Bestsellers of 2013:

Publishers Weekly's list for 2013 is separated by format, includes fiction and non-fiction, and no hard numbers.  Since Inferno was #2 on one list and #1 on the other, while Hard Luck was #1 on one list, and didn't appear on the other at all, I went with Inferno.

Print:

1. Hard Luck by Jeff Kinney
2. Inferno by Dan Brown
3. Killing Jesus by Bill O'Reilly and Martin Dugard (non-fiction)
4. Proof of Heaven by Eben Alexander (non-fiction *cough* bull shit *cough)
5. The House of Hades by Rick Riordan
6. Divergent by Veronica Roth
7. Jesus Calling by Sarah Young (non-fiction)
8. Sycamore Row by John Grisham
9. The Third Wheel by Jeff Kinney
10. Happy, Happy, Happy by Phil Robertson (non-fiction)

Kindle top 10:

1. Inferno by Dan Brown
2. Divergent by Veronica Roth
3. Gone Girl by Gillian Flynn
4. Sycamore Row by John Grisham
5. The Husband's Secret by Liane Moriarty
6. Safe Haven by Nicholas Sparks
7. Allegiant by Veronica Roth
8. Insurgent by Veronica Roth
9. The Cuckoo's Calling by Robert Galbraith (pseud. for J.K. Rowling)
10. The Book Thief by Markus Zusak

Also Published in 2013:

MaddAddam by Margaret Atwood
The Luminaries by Eleanor Catton
The Circle by Dave Eggers
Bleeding Edge by Thomas Pynchon
Tenth of December by George Saunders
The Goldfinch by Donna Tartt




Monday, April 27, 2015

2009: The Lost Symbol by Dan Brown

The Author:




Dan Brown (1964-    ) was born in Exeter, New Hampshire, where his father worked as a professor of mathematics.  Brown went on to study at Philips Exeter and later Amherst, from which he received his B.A. in 1986.  He moved out to Hollywood to pursue a career in music.  He released a few albums by 1994.  In 1993, he moved back to New Hampshire with Blythe Newlon, whom he married, and taught English at Philips Exeter.  He and his wife co-wrote his first book: 187 Men to Avoid: A Survival Guide for the Romantically Frustrated Woman.  Brown was credited under the pseudonym Danielle Brown. He quit teaching to work full time in 1996 and published his first novel,Digital Fortress, in 1998.  Angels & Demons (2000) was his first novel starring Robert Langdon.  His fourth novel, The Da Vinci Code (2003) was the bestselling novel of the year it was published and the following year.  His next two novels, The Lost Symbol (2009) and Inferno (2013) were the bestselling novels in the year they were published.


The Book:


Cover Design-Michael J. Windsor/
Cover photograph-Murat Taner


Length: 639 pages
Subject/Genre: Masonic 'symbology'/conspiracy thriller

The Da Vinci Code  The Lost Symbol starts when Harvard symbologist Robert Langdon is summoned to Paris Washington D.C. by an older, established symbologist.  After he arrives, he finds himself in the world famous Louvre U.S. Capitol Building, where he finds the older symbologist's corpse severed hand, surrounded by arcane symbols.  This older symbologist was a high ranking member of the Priory of Sion the Freemasons, and the location of a secret and powerful item is being sought by a deadly albino man covered in tattoos.  With a killer on one hand, and a detective CIA officer of questionable loyalties on the other, Langdon must find the secret with the help of the older symbologist's daughter sister, before it's too late.

On the one hand, Brown spent less time blatantly fabricating facts this time around.  Not that it did much good.  To clarify before I go into this, historical inaccuracy isn't itself the problem. The problem comes from the fact that Robert Langdon is supposed to be an expert, but consistently ignores, or rather, is unaware of, the obvious answer to questions when such answer would make things less mysterious.  I'm no expert on history, yet I still seem to know more than Langdon in some cases than others.  One common topic in the early parts of the novel is the Greco-Roman influences on D.C. architecture.  In addition to their masonic background, Langdon points out the most mysterious aspects of this influence, completely ignoring the fact that the Greeks and the Roman Republic were the first great democratic systems.  It ignores the rather interesting Society of the Cincinatti of which George Washington, James Monroe, and Alexander Hamilton were founding members.  The theme of apotheosis is also prominent, with Langdon describing The Apotheosis of George Washington and a statue of Washington as Zeus that used to be on display.  Somehow, he's completely unaware of the fact that the 'good' Roman emperors were elevated to divinity after their deaths by the Roman senate.  Because simply continuing the Greco-Roman motif isn't that mysterious.

There's a scene in the book where Langdon is giving a lecture to a bunch of college freshmen, and he just, like, blows their minds, by pointing out that taking communion and bowing before the cross consists of symbolic cannibalism and bowing before a torture device.  And I realized that this is Brown's attitude toward his audience in a nutshell.  Except Langdon would be less of a world-renowned Harvard professor and more of a low-tier community college professor, or a guest host on Ancient Aliens.  Because the fact is, Robert Langdon comes across as a guy who memorized a bunch of facts, but ignores the obvious explanations and relevant connections.  He's a hack.

But as to The Lost Symbol, it has some specific problems The Da Vinci Code didn't.  First, and I'm sorry if I spoil anything for you, but nothing is really at stake.  At least in The Da Vinci Code, the discovery of Magdalene or of Jesus' descendants would have massive implications, theologically and politically.  In The Lost Symbol what's being sought is, well, symbolic.  I mean, imagine if Langdon found what the Priory of Sion was hiding, and it turned out there was no grail, the real treasure was friendship.  It's basically that bad.  It also ends with a twist regarding the bad guy, except the twist is completely pointless.  Another spoiler alert.  The older symbologist was extremely wealthy, and his son was a irresponsible party boy.  After however many attempts to save him, he decided to let his son suffer the consequences.  His son was arrested for drug crimes in Turkey, and rather than bribe the guard to release the son into his father's custody, the father decided to go through the official channels with the embassy.  The son's cellmate and the guard killed the kid, and took his considerable fortune, and the cellmate then killed the guard.  The cellmate soon grew bored with the good life, and saw a special on the freemasons, talking about a secret masonic pyramid.  He remembers that the son told him he was offered a small pyramid by his father in lieu of his share of the family fortune.  This sets the cellmate off on his quest.  He gets some tattoos, changes his name to Mal'Akh, and starts killing people.  In the end, we find the twist:  Mal'Akh was the son the whole time!  He and the guard killed his cellmate, then he killed the guard and ran off with his money because his dad left him in prison.  So, this irresponsible millionaire playboy, who as far as we know has done nothing worse than some recreational drugs, decides to murder two people?  Especially considering he could have just bribed the guard and bought a fake ID, this makes no goddamn sense.  Twist endings are supposed to explain inconsistencies, not create them!

This book is, to borrow a phrase I used frequently in my review of The Da Vinci Code, bullshit.  Robert Langdon is to history and art what the cast of The Big Bang Theory is to math and science: caricatures that only make sense when you know absolutely nothing about the subject.

Bestsellers of 2009:

1. The Lost Symbol by Dan Brown
2. The Associate by John Grisham
3. The Help by Kathryn Stockett
4. I, Alex Cross by James Patterson
5. The Last Song by Nicholas Sparks
6. Ford County by John Grisham
7. Finger Lickin' Fifteen by Janet Evanovich
8. The Host by Stephenie Meyer
9. Under the Dome by Stephen King
10. Pirate Latitudes by Michael Crichton

Also Published in 2009:

The Year of the Flood by Margaret Atwood
The Women by T.C. Boyle
Chronic City by Jonathan Lethem
Wolf Hall by Hilary Mantel
Inherent Vice by Thomas Pynchon


Monday, March 23, 2015

2003-2004: The Da Vinci Code by Dan Brown

The Author:


Dan Brown (1964-    ) was born in Exeter, New Hampshire, where his father worked as a professor of mathematics.  Brown went on to study at Philips Exeter and later Amherst, from which he received his B.A. in 1986.  He moved out to Hollywood to pursue a career in music.  He released a few albums by 1994.  In 1993, he moved back to New Hampshire with Blythe Newlon, whom he married, and taught English at Philips Exeter.  He and his wife co-wrote his first book: 187 Men to Avoid: A Survival Guide for the Romantically Frustrated Woman.  Brown was credited under the pseudonym Danielle Brown. He quit teaching to work full time in 1996 and published his first novel, Digital Fortress, in 1998.  Angels & Demons (2000) was his first novel starring Robert Langdon.  His fourth novel, The Da Vinci Code (2003) was the bestselling novel of the year it was published and the following year.  His next two novels, The Lost Symbol (2009) and Inferno (2013) were the bestselling novels in the year they were published.

The Book:


1st ed. cover/Jacket design - Michael Windsor


Length: 454 pages
Subject/Genre: Religious Conspiracy/Thriller

The Da Vinci Code is the second thriller starring symbologist Robert Langdon, who finds himself caught in the endgame of a centuries long battle between the Opus Dei, a real life Catholic organization, and the Priory of Sion, which in real life was an organization concocted in the 1950s by a megalomaniac would-be cult leader, who had documents forged to connect it to the similarly named Abbey of Sion (alt. spelling of Zion) that existed for a few centuries early in the last millennium.  Despite Brown's statements at the beginning of his book, there is no connection between the modern day and ancient organizations, nor were any of the famous historical figures members of either organization.  His declaration that "All descriptions of artwork, architecture, documents, and secret rituals in this novel are accurate" is also blatantly false. For example, Langdon talks about how the pyramid above the entrance to the Louvre has exactly 666 glass panes, and that this was done at the express command of the president at the time.  Simply put: Bullshit.  Which brings me to my biggest problem with this book.

If you are the least bit skeptical of 'facts' like the above, if you have a passing knowledge of art history, if you can intuit the difference between a fringe theory and a widely accepted position, then Robert Langdon comes across as a well-educated hack.  He's more likely to host a reality show, right between Ghost Hunters and Alien Mysteries.  Hell, even his specialty is bullshit.  'Symbologist' doesn't even make etymological sense, and he's only called that because 'Art Historian' doesn't sound impressive enough.
   
I actually read both The Da Vinci Code and Angels & Demons when I was in high school, and they're pretty much the same novel.  There's a massive conspiracy tied to a religious organization and its history, Robert Langdon, with the help of a beautiful young woman has to solve a mystery, Brown does everything he can to shout that 'untrustworthy guy with a grudge' is the bad guy, but instead it turns out that 'guy beyond reproach' is the bad guy, roll credits.  I'm expecting The Lost Symbol and Inferno to follow this formula as well. Because if it works once, why not run it into the ground?  

But why did The Da Vinci Code work?  Or more accurately, why did it sell a metric shit ton of copies?  Good old fashioned controversy and lying.  Pretty much everything about the book and all the discussions treat the conspiracy fever dreams as accepted historical fact.  To quote the dust jacket from my copy: "The late curator was involved in the Priory of Sion -- an actual secret society whose members included Sir Isaac Newton, Botticelli, Victor Hugo, and Da Vinci, among others....The Da Vinci Code is simultaneously lightning paced, intelligent, and intricately layered with remarkable research and detail."  [bolded words mine]*   As to the first claim: Bull shit.  As to the second, the book has tons of research and detail, but much of it inaccurate.  The book garnered so much controversy (and therefore attention, and therefore sales) because it presented itself a true and radical reexamining of history, rather than a second-rate conspiracy thriller. The premise, in case you've managed to stay unaware, is that Jesus Christ had a kid, and that the Priory of Sion has always protected the descendant, as well as the holy grail, which is actually the body of Mary Magdalene.  Side note, the 1950's Priory of Sion, created by a man named Pierre Plantard, who claimed that it protected the descendants of the Merovingian dynasty (which is 5th-8th  century Northern European) which he tied to the medieval legend of the last great catholic emperor, all of which he claimed to be.  In 1982, Michael Baigent, Richard Leigh, and Henry Lincoln published The Holy Blood and the Holy Grail, which was largely based on the forgeries of Plantard, and added the idea that Christ's descendants moved north and became the Merovingian Dynasty (*cough* Bullshit *cough*).  Anyway, despite being a fictionalized version of a fictionalized version of an easily debunked hoax, the public treated the claims in the Da Vinci Code as something  more than, to repeat myself, bullshit.

Anyway, as I'm sure you know, The Da Vinci Code was given a film adaptation.



The film includes Ian McKellan, Audrey Tautou (Amélie) and stars Tom Hanks as Robert Langdon as he attempts to beat Forrest Gump's record for historical revisionism.

I have two more novels in this series to read, and I'm going to read them with the view of Robert Langdon as an educated loony and the novel as his unsubstantiated claims.  As for my recommendations to you, just watch Ancient Aliens.  At least that will only take you 45 minutes.

*As I was copying this out, I noticed that some letters in the dust jacket are bolded.  If you put all the bold letters in order, you get "Is there no help for the widow's son," a phrase tied to freemasonry, the subject of his next novel.


Bestsellers of 2003:

1. The Da Vinci Code by Dan Brown
2. The Five People You Meet in Heaven by Mitch Albom
3. The King of Torts by John Grisham
4. Bleachers by John Grisham
5. Armageddon by Tim LaHaye and Jerry B. Jenkins
6. The Teeth of the Tiger by Tom Clancy
7. The Big Bad Wolf by James Patterson
8. Blow Fly by Patricia Cornwell
9. The Lovely Bones by Alice Sebold
10.The Wedding by Nicholas Sparks

Bestsellers of 2004:

1. The Da Vinci Code by Dan Brown
2. The Five People You Meet in Heaven by Mitch Albom
3. The Last Juror by John Grisham
4. Glorious Appearing by Tim LaHaye and Jerry B. Jenkins
5. Angels & Demons by Dan Brown
6. State of Fear by Michael Crichton
7. London Bridges by James Patterson
8. Trace by Patricia Cornwell
9. The Rule of Four by Ian Caldwell and Dustin Thomason
10: The Da Vinci Code: Special Illustrated Collector's Edition by Dan Brown


Also published in 2003-4:

Oryx and Crake by Margaret Atwood
2666 by Roberto Bolaño
The Kite Runner by Khaled Hosseini
The Namesake by Jhumpa Lahiri
Fortress of Solitude by Jonathan Lethem
Cloud Atlas by David Mitchell
Runaway by Alice Munro
The Plot Against America by Philip Roth
Doubt by John Patrick Shanley



Monday, March 2, 2015

2000: The Brethren by John Grisham

The Author:






John Grisham (1955-    ) was born in Jonesboro, Arkansas, the son of a construction worker. At the age of twelve, his family moved to Southaven, Mississippi.  He graduated with a B.S. from Mississippi State University in 1979.  He passed the Mississippi Bar exam in 1981, and received his J.D. from the University of Mississippi.  In 1981, he married Renee Jones, with whom he had two children. 

Grisham began a successful law practice in 1981, starting in criminal law, and moving to more lucrative civil law.  In 1984, he was elected to the Mississippi State House of Representatives, a position he held in addition to running his law practice.  A case he witnessed while in the state legislature led him to write his first novel, A Time to Kill (1989).  He had trouble finding an agent and publisher.  He eventually found both, and a limited run of 5,000 copies was printed of his first novel.  In 1990, Grisham resigned from his position on state legislature and retired his practice.  In 1991, Doubleday published his second novel, The Firm.  It was a massive commercial success, as were his third and fourth novels, The Pelican Brief (1992) and The Client (1993).  His fourth book, The Chamber (1994) is the first of eleven novels to become the number one annual bestselling novel in the U.S.

Since 1989, Grisham has published a total of 29 novels, five children's books, and a work of non-fiction.  His family splits its time between homes in Oxford, Mississippi, Charlottesville, Virginia, and Chapel Hill, North Carolina.  Grisham also serves as a board member on the Innocence Project.


The Book:




Length: 366 pages
Subject/Genre: conspiracy/legal thriller

The Brethren is hands-down my favorite Grisham novel so far, and suffers mostly from  Grisham's determination to keep much of the novel serious instead of treating it as an all out farce.  The basic premise is this:  Three corrupt judges in their late middle-age, called the brethren, are inmates at a minimum security federal prison.  In addition to operating their own court within the prison, they run a mail scam with the help of an alcoholic attorney on the outside.  They take out ads in gay magazines with the intent of blackmailing closeted respondents.  I know, this isn't very funny.  But then there's the other major plot of the novel.  Russia is stepping up its game, and the CIA is worried about a new cold war.  They decide they need a president they can count on to give them practically unlimited funding, so they choose an inoffensive unknown congressman from Arizona named Aaron Lake.  Now put two and two together, and you end up with the CIA in a battle of wits with some crooked judges, letters get forged, intercepted, and redirected, and the entire weight of United States intelligence gets thrown at finding three people already in custody.      

The blackmail and underlying social issues are serious, of course, and I understand Grisham's decision to treat it seriously, but he realizes the comedy in much of the story, and treats it as such, leading to what is often a bumpy transition between humor and drama which rarely works.  Maybe I'm just a bit burned out on the rest of Grisham's novels, so one that is sufficiently different from the rest may have an undue luster of originality.  If nothing else, it was nice to see a Grisham novel where everyone was running around like chickens with their heads cut off, instead of one guy with a master plan that unravels slowly (slowly, not because the plan requires time, but because he has to hit 400 pages somehow).  

I don't know if I'd offer an unsolicited recommendation for The Brethren, but it is certainly one of Grisham's better works.

Bestsellers of 2000:

1. The Brethren by John Grisham
2. The Mark by Jerry B. Jenkins and Tim LaHaye
3. The Bear and the Dragon by Tom Clancy
4. The Indwelling by Jerry B. Jenkins and Tim LaHaye
5. The Last Precinct by Patricia Cornwell
6. Journey by Danielle Steel
7. The Rescue by Nicholas Sparks
8. Roses Are Red by James Patterson
9. Cradle and All by James Patterson
10. The House on Hope Street by Danielle Steel

Also Published in 2000:

The Blind Assassin by Margaret Atwood
True History of the Kelly Gang by Peter Carey
The Amazing Adventures of Kavalier & Clay by Michael Chabon
House of Leaves by Mark Z. Danielewski
A Heartbreaking Work of Staggering Genius by David Eggers
Blonde by Joyce Carol Oates
White Teeth by Zadie Smith



Monday, February 9, 2015

1997: The Partner by John Grisham

The Author:




John Grisham (1955-    ) was born in Jonesboro, Arkansas, the son of a construction worker. At the age of twelve, his family moved to Southaven, Mississippi.  He graduated with a B.S. from Mississippi State University in 1979.  He passed the Mississippi Bar exam in 1981, and received his J.D. from the University of Mississippi.  In 1981, he married Renee Jones, with whom he had two children. 

Grisham began a successful law practice in 1981, starting in criminal law, and moving to more lucrative civil law.  In 1984, he was elected to the Mississippi State House of Representatives, a position he held in addition to running his law practice.  A case he witnessed while in the state legislature led him to write his first novel, A Time to Kill (1989).  He had trouble finding an agent and publisher.  He eventually found both, and a limited run of 5,000 copies was printed of his first novel.  In 1990, Grisham resigned from his position on state legislature and retired his practice.  In 1991, Doubleday published his second novel, The Firm.  It was a massive commercial success, as were his third and fourth novels, The Pelican Brief (1992) and The Client (1993).  His fourth book, The Chamber (1994) is the first of eleven novels to become the number one annual bestselling novel in the U.S.

Since 1989, Grisham has published a total of 28 novels, four children's books, and a work of non-fiction.  His family splits its time between homes in Oxford, Mississippi, Charlottesville, Virginia, and Chapel Hill, North Carolina.  Grisham also serves as a board member on the Innocence Project.


The Book:


first edition cover


Length: 366 pages
Subject/Genre: crime/legal thriller

The Partner begins in a small town in Brazil, when an American living under an assumed name is kidnapped and tortured for information.  His girlfriend/accomplice, a Brazilian lawyer, quickly hides the $90 million that the bad guys are looking for, and alerts the FBI of the man's whereabouts.  The FBI takes custody of the man, and brings him back to Biloxi for trial.  The crime?  After faking his own death, Patrick Lanigan stole the aforementioned $90 million from his law firm.  There are now only two questions: "Where's the money" and "whose body is buried in Lanigan's grave?"  

The Partner is very similar to The Runaway Jury.  Lanigan, like Easter, is running an elaborate plan, all the details of which are known only by him and his girlfriend on the outside.  There's the amoral thugs-for-hire agency, and the crooked corporations bankrolling them.  Most of the novel is just Lanigan slowly revealing how he committed his crimes while his master plan unravels.  He hires an old lawyer friend to represent him.  For no good reason, Lanigan withholds information from the lawyer.  Or rather, there is a reason, but the reason is Grisham's, not Lanigan's.  The only reason to keep reading The Partner is to find out what the plan was, which requires Lanigan to keep secrets he has no reason to keep.  Character is sacrificed to plot.  A little common sense and critical thinking and most of the plan will become pretty obvious, making this the most boring of the Grishams I've read so far.

As opposed to the earlier Grisham novels I reviewed, this one doesn't take a stance on a moral issue like The Chamber, or reflect the social/legal issues of exploitative insurance companies or cigarette manufacturers, as in The Rainmaker or The Runaway Jury.  While there is corruption, it's mostly limited to a high level scam that would seem more at home in a Ludlum or Clancy novel.  The Partner is pretty much a paint-by-numbers legal thriller.

Unless you're a Grisham completist or you're engaged in a project like mine, don't bother with The Partner.  Even if you're a legal thriller devotee, pick another Grisham.

Bestsellers of 1997:

1. The Partner by John Grisham
2. Cold Mountain by Charles Frazier
3. The Ghost by Danielle Steel
4. The Ranch by Danielle Steel
5. Special Delivery by Danielle Steel
6. Unnatural Exposure by Patricia Cornwell 
7. The Best Laid Plans by Sidney Sheldon
8. Pretend You Don't See Her by Mary Higgins Clark
9. Cat and Mouse by James Patterson
10. Hornet's Nest by Patricia Cornwell

Also Published in 1997:

Tuesdays with Morrie by Mitch Albom
The Diving Bell and the Butterfly by Jean-Dominique Bauby
Underworld by Don DeLillo
Mason & Dixon by Thomas Pynchon
American Pastoral by Philip Roth
Harry Potter and the Philosopher's Stone by J. K. Rowling


Monday, September 29, 2014

1989: Clear and Present Danger by Tom Clancy

The Author:



Tom Clancy (1947-2013) was born and raised in Baltimore, Maryland.  He attended Loyola College.  While there, Clancy joined the ROTC, but was unable to serve due to poor eyesight.  He graduated in 1969, and married Wanda Thomas King, with whom he had four children.  Throughout the 1970s, he worked as an insurance agent, eventually buying a small firm from his wife's grandfather.  A military history buff, Clancy began writing a novel, The Hunt for Red October, which was published by the Naval Institute Press in 1984, to unexpected commercial success.  His second novel, Red Storm Rising (1986), and his third novel, Patriot Games (1987) were the second-bestselling novels of their years of release.  His fourth and fifth novels, The Cardinal of the Kremlin and Clear and Present Danger, respectively, took the number one spot.   

Since then, Clancy has written or co-written fourteen novels, ten of which have ended up on the annual top ten list.  He has also written or co-written thirteen books of non-fiction.  As well as creating series bearing his name, written by other authors. 

Clancy and his wife separated in 1996, divorcing in 1999.  Later in 1999, he married Alexandra Marie Llewellyn, whit whom he had one daughter. Clancy died at Johns Hopkins in 2013.



The Book:



Length: 656 pages
Subject/Genre: International Drug Trade/ Military Thriller

Clear and Present Danger details a covert war between the U.S. government and the Colombian drug cartels, who have enlisted the services of former Cuban spy Felix Cortez.  The plan is put into motion by the president amid reelection concerns and with pressure from the new national security advisor, James Cutter.  Jack Ryan is promoted to Deputy Director (Intelligence) after his superior/mentor is diagnosed with terminal cancer.  Much of the novel is split between the details of the campaign against the cartels, and Ryan's attempts to uncover evidence thereof.  

The campaign itself mostly follows Clancy staple John Clark, and a young light infantry soldier, Domingo Chavez.  Domingo is part of an elite crew air-lifted in to the Colombian mountains, at first only identifying drug planes (which are later shot down by the American fighter jets), but then moves to destroying drug production sites and everyone in them, and even later, full-on missile strikes against cartel strongholds.    

More so than The Cardinal of the Kremlin, Clear and Present Danger gets bogged down by its own attention to detail.  This can be annoying, but generally only lasts for short periods at a time.  It also gets didactic at points.  The novel ends with a character basically asking Jack Ryan to tell him the moral of the story.  As a military/political thriller, though, it's a fun read.

After the fall of Berlin Wall in 1989, and the close of the Cold War in general, a new enemy was needed for a Clancy novel.  Rather than imagine a shadowy conspiracy a la Ludlum, Clancy looked to the U.S.  Clear and Present Danger was written near the end of what's become known as the crack epidemic, the period from 1984 until the early 90s

On the one hand, Clancy does a good job of explaining the difficulty in launching full scale military action against the cartels, on the other, he ignores U.S. involvement in the international drug trade.  The Kerry Committee Report, published in 1989, found strong evidence of U.S. intelligence agencies providing money to drug traffickers. In another case of historical irony, similar to that of the funding of the Mujaheddin in The Cardinal of the Kremlin, the US Army School of the Americas (now known as WHINSEC) trained two of the founders of the notorious Los Zetas cartel.  As with the previous Clancy novel on the list, he tends here to portray the U.S. government as being exclusively composed of well-intentioned individuals, who occasionally act in error.

In 1994, Clear and Present Danger became the third Clancy novel to receive a film adaptation.


 Harrison Ford plays Jack Ryan (reprising his role from 1992's Patriot Games.  Ryan was played by Alec Baldwin in 1990's The Hunt for Red October.  In 2002's The Sum of All Fears, he would be played by Ben Affleck, and is played by Chris Pine in 2014's Jack Ryan: Shadow Recruit).  John Clark is played by Willem Dafoe (and played by Liev Schreiber in The Sum of All Fears).  The film was directed by Phillip Noyce, best known for his action movies (most recently Salt (2010) and The Giver (which, I know, wasn't action-packed in the books, and probably shouldn't have been an action-ish movie at all).   The film was a major financial success.

Overall, Clear and Present Danger, like The Cardinal of the Kremlin, is a book for people who are already fans of the action/military thriller genre.  It's got its flaws, but remains an entertaining read.

Bestsellers of 1989:

1. Clear and Present Danger by Tom Clancy
2. The Dark Half by Stephen King
3. Daddy by Danielle Steel
4. Star by Danielle Steel
5. Caribbean by James Michener
6. The Satanic Verse by Salman Rushdie
7. The Russia House by John le Carré
8. The Pillars of the Earth by Ken Follett
9. California Gold by John Jakes
10. While My Pretty One Sleeps by Mary Higgins Clark

Also Published in 1989:

A History of the World in 10 1/2 Chapters by Julian Barnes
Geek Love by Katharine Dunn
The Remains of the Day by Kazuo Ishiguro
Hyperion by Dan Simmons
The Joy Luck Club by Amy Tan

Sources:

Clancy, Tom. Clear and Present Danger. New York: Putnam, 1989. Print.

"Tom Clancy." Contemporary Authors Online. Detroit: Gale, 2014. Literature Resource
      Center. Web. 



Monday, July 21, 2014

1979: The Matarese Circle by Robert Ludlum

The Author:




Robert Ludlum (1927-2001) was born in New York City and attended Wesleyan University in Connecticut. After graduation, Ludlum served in the U.S. Marines.  After that, he held a career as a theater producer.  In 1960, he opened his own theater, Playhouse-on-the-Mall, in Paramus, New Jersey.  A decade later, he left the business to pursue a career in writing.  His first novel, The Scarlatti Inheritance (1971), set the tone for the rest of his ouevre.  It was not long before Ludlum became one of the best-selling authors in the world.  Ludlum published 22 novels before his death, while five were published posthumously.  Of the thirty-six years from 1971 and 2006, only ten did not feature a new book by Robert Ludlum.  The Matarese Circle marks Ludlum's third book on the top ten annual bestsellers list.  Seven more appear on the top ten, yet none other take the number one spot.  

Ludlum's death is itself the focus of controversy and conspiracy.  A few weeks after changing his will to leave his second wife millions of dollars in cash and real estate, Ludlum caught fire in his home. Complications from his burns led to his death.  Ludlum's nephew has since launched an investigation into Ludlum's demise.

The Book:



Length: 601 pages
Subject/Genre: Conspiracy/Spy Thriller


The Matarese Circle centers on two of the world's top spies, America's Brandon Scofield and the Soviet Union's Vasili Taleniekov.  In addition to their bitter professional rivalries, Taleniekov had Scofield's wife killed, and Scofield killed Taleniekov's brother in retaliation.  But, when Taleniekov becomes aware of a threat to the continued survival of both nations, a secret organization composed of important figures from across the world bent on total domination, he and Scofield must put aside their differences and work together to save the world.    

I read several Ludlum novels when in high school, and they all follow the same basic formula, for everything including the title.  The title will start with the word "The" and be followed by a proper noun, either a last name (e.g. Matarese, Bourne, Ambler, Scarlatti) or something mythological (e.g. Icarus, Gemini, Apocalypse).  This will be followed by a non-object noun (e.g. Circle, Ultimatum, Identity, Covenant, etc.).  Of the twenty-four novels he published under his own name, only 1992's The Road to Omaha doesn't follow this naming structure.  

The novels themselves also follow the same general plot.  A man is in some way connected to an intelligence agency.  Said man is frequently, but not always, too old for this shit.  He discovers or is made aware of a secret cadre bent on some form of world domination.  With the help of  a beautiful woman who possesses some skill or background necessary to his success, the man manages to thwart the evil plot (winning the girl in the process, of course).  Ludlum doesn't break the mold at all in this novel, so you get exactly what you'd expect: a fun page-turner that really doesn't reward close reading.  

Ludlum is a popcorn novelist, plain and simple.  His plots are contrived at best, character motivations often don't hold up under close scrutiny.  The Matarese Circle, in particular, has some pacing problems.  Most of the first two hundred pages focuses on the main characters figuring out things the reader already knows, and the information about the conspiracy comes in spurts.  You'll get twenty pages of Scofield moping, twenty of things blowing up, then an info dump.    

It's interesting to compare and contrast Ludlum with le Carré.  The Spy Who Came in from the Cold is by an actual MI-6 agent and deals with the moral bankruptcy and disillusionment of the Cold War from the perspective of someone who was honestly disillusioned by the Cold War.  The Materese Circle deals with the disillusionment in the way an action movie Hollywood studio executive would deal with it.  Scofield and Taleniekov have to deal with disillusionment and betrayal, but Ludlum trades depth for frequency.  It's just something for Scofield to dote on between the gunfights.  

The Matarese Circle itself is not a cultural touchstone and doesn't has already been lost to the realm of forgotten pop culture (although IMDB shows a film version in development).  However, like Zane Gray, Ludlum's influence is based on his entire oeuvre more than any particular work.  For one, Ludlum is one of the first trademarked dead authors.  While Fleming's Bond series still lives on through licensed sequels, the sheer number of Ludlum sequels since his death is impressive.  Since 2000, there have been twenty-three books marketed as "Robert Ludlum's..." where Ludlum's name is often bigger than the title.



While Tom Clancy has his own 'apostrophe series',  this is becoming more of a trend.  There are now four Sidney Sheldon apostrophe novels.  And of course we have to mention James Patterson, whose name has been on the cover of over one hundred novels since 1995.  The bestsellers list has been getting more and more homogeneous.  Looking at the annual top ten list for the 1910s, 52 different authors show up across the decade.  Looking at the 1970s, 59 different names show up.  Looking at 2000-2009, if we count things like "James Patterson with ____" as James Patterson, there are only 33 different authors over the 100 available slots.
   
I realize I've gone a bit off topic, but this is the point where the bestseller lists really starts to shift from the Michener/Uris/Hailey infotainment trifecta to the formulaic airport novel.  

Anyway, as far as The Matarese Circle goes, if you're looking for entertainment and nothing else, this will do just fine.



Bestsellers of 1979:

1. The Matarese Circle by Robert Ludlum
2. Sophie's Choice by William Styron
3. Overload by Arthur Hailey
4. Memories of Another Day by Harold Robbins
5. Jailbird by Kurt Vonnegut
6. The Dead Zone by Stephen King
7. The Last Enchantment by Mary Stewart
8. The Establishment by Howard Fast
9. The Third World War: August 1985 by John Hackett
10. Smiley's People by John le Carré

Also published in 1979:

The Hitchhikers Guide to the Galaxy by Douglas Adams
if on a winter's night a traveler by Italo Calvino
The Book of Laughter and Forgetting by Milan Kundera
The Executioner's Song by Norman Mailer